JAIL WEDDINGS performs the song "IT'S NOT FAIR" for BalconyTV.
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PRESENTED BY SARAH ASALY
Jail Weddings' epic second full length is quite aptly titled. Meltdown: the flailing emotional implosion often borne of a triumvirate of frayed nerves, volatile substances and excessive external pressure is clearly evidenced in the words and music herein. But, there's also a newfound sense of musical genres and histories mixing together like molten wax where the band's signature Shangri-La's, Bad Seeds, noir-hued pop merges with hazy psychedelia, bombastic rock and even essences of bizarre Eastern European folk. It's the sound of a band that's always been at the brink of self-destruction actually growing and thriving on its own chaotic impulses.
It's now six years into something that wasn't expected to last six months -- this "thing" called Jail Weddings. While the songs have always been timeless and top notch, they're also a band whose initial popularity often hinged on the fact that it could all fall apart at any given moment -- with frequent dagger eyes or fistfights both onstage and off -- where it was always clear to the audience that the high-drama of the songs often spilled into the band members' own precarious lives. They are a group that audiences could live through vicariously, a band capable of not just inspiring listeners' ugly catharsis, but often enacting its own in public. One of few that could claim they are not just a band, but a lifestyle all their own.
It was late 2012 when we had last checked in with frontman Gabriel Hart, who explained that last year's Four Future Standards EP (described by VICE Magazine as "music to have knife sex to") was also the gradual bridge to their more grandiose work-in-progress second full-length. Hart ensured that anyone who thought they were any sort of "party band" would be gravely mistaken upon hearing what they had been stirring up in their charred cauldron. Little did he know it would take well over 365 days to finish what he had started, where the stakes were raised, bank accounts drained, sanity/sobriety and sleep compromised, and their longtime rhythm section and one of their back-up singers lost...where towards the end it would cause him and his eight-headed collective to treat it with all the intensity a band would as if it was the last record they would ever record, even though their present locomotive momentum will prove at least that part otherwise.
And what better process to make a record, Meltdown -- A Declaration of Unpopular Emotion which Hart describes as a somewhat conceptual "dissection of the personal Apocalypse." A record whose liner notes cite such patron saints as disparate as philosopher Carl Jung and enfant terrible Francis Farmer as touchstones? But, this is only for the uninitiated to understand -- as within the first listen of Meltdown one will soon realize this record is indeed a vast, universal tantrum, where the best path of protest is often to create one's own atmosphere, to secede from pain through a self-imposed baptism of fire. And, the end inspiration proves once again one must look no further than Jail Weddings' own twisted, snake-eating-its-tail world they've created.
JAIL WEDDINGS happen to be much more than a just a band -- they are a bona-fide gang, a swaying precarious study into the extremes of human behavior, a walking, wailing "musical" happening in real time...
CREDITS / SPONSORS
Producer / Talent Booker: Cindi Avnet
Co-Producer/ Talent Booker: Leah Hobbs
Recorded & Mixed By: Taylor Nelson
Camera: Robert DiGioia
Admin: Atara Gottschalk
SPECIAL THANKS TO MANU LAUDE!!!!!
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